HELENA CHARLES লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান
HELENA CHARLES লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান

রবিবার, ৩০ সেপ্টেম্বর, ২০১৮

Gist of The play Look Back In Anger


A Realistic Subject Matter: Look Back In Anger received an overwhelming response from the audience when it was first produced. It appealed to the audience because of the realistic subject-matter. Through the character of the protagonist, Osborne revealed his feeling for the contemporary scene and the frustration and the temperament of post-war Britain found expression through the speeches of Jimmy. The use of contemporary idiom the sharp comments on matters ranging from “posh” Sunday newspaper and “whiletile” universities to the bishop and the hydrogen bomb.


An “unpleasant” Social Play: Unlike another realistic playwright, Osborne presents the social problems apprehended by the characters. The stinking rhetorical speeches go beyond realistic prose drama. Many of his impressive tirades are concerned with the debased values of modern life but the action of the play is very little influenced by such social questions as a class system. Alison describes Jimmy’s invasion of her upper-class world as a part of the class war he was waging with Alison as a hostage.

Jimmy’s Anger: Jimmy’s anger seems to be deep-rooted. For him “the misery of the world is misery and will not then rest”. He suffers for others and likes other people’s lives. As a young boy, he watched his dying father and learned more about love-death and betrayal that people like Helena would know all their lives. He recalls the experience with bitterness and says that every time he had sat near his father’s bed and listen to his father’s talk he had to fight back his tears. He says he had become a ”veteran after his experience of remaining by his father’s bedside for twelve months. He also suffers for Mrs. Tanner, Augh’s mother who ac­cording to him went “through the sordid process of dying.”


Incompatibility between Jimmy and His Wife: the Social disparity between his working-class origin and the upper middle class to which his wife belongs is also a reason for Jimmy’s anger. He wages an unending battle against the upper middle class whom he holds in contempt and treats Alison as a “hostage”. He constantly bullies his wife and provokes her to retaliate Alison’s silence, her withdrawal into detached indifference makes communication between him and herself impossible. “That girl there can twist your arm off with’ her silence,” he comments on her infuriated by her silent disposition.
Jimmy’s Deep-Seated Need of Allegiance: Jimmy is over demanding in his relationship. He seeks from women much more than he could ever hope to get. When disappointed he turns his wrath on them with savage resentment. He expects everyone to be loyal not only to him but to all the things he believes in, not only to his present and future but to his past as well. Alison’s failure to live up to his expectation irritates him.
Sexual Passion No Remedy for Jimmy’s Trouble: Sexual passion occasionally helps Jimmy to overcome his frustration, and assists him to escape his troubling mind now and then. But it does not provide a permanent solution to his problems. In the first act the ever critically Jimmy takes a brief break and is shown to share a tender moment of togetherness with his wife. But immediately after some time on learning about Helena’s impending visit he returns to his farmer self-cursing and condemning people. He alternates between sexual teaming and sexual passion. In the Act III & Sc. II he asks contemptuously why women bled men to death. He says that men have no alternative but to it themselves be butchered as there is no brave cause to die for.

                                                                                                        

Relationship between Alison and jimmy


John Osborne's play Look’ Back in Anger’ mainly describes a failed marriage between Jimmy and Alison who live with Jimmy‟s uneducated friend Cliff Lewis. Through it, Osborne presented „a new type of angry young hero‟ whose sense of working-class position prejudices his judgment about those of upper social status and this brings him into conflict with Alison who becomes a victim of his cruelty. For this, there is no healthy atmosphere in their house and she is always in great miseries. Therefore, she withdraws herself into a detached indifference to him and a rift is created between them. After more than three years of their marriage, when the pregnant Alison is unable to take her bullying husband any more, she retreats from the Porterhouse hoping to get rid of her sufferings as she realizes that her upper--class background angers Jimmy. Unfortunately, she loses her unborn baby, suffers terrible isolation and agony and returns to Jimmy and embraces further pain. Thus, Look Back in Anger is a play in which Alison’s mental distress is prolonged and unrelieved
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Alison is Jimmy‟s age and is tall, slim and dark. Moreover, she has a sorrowful look which indicates her unhappy state. There are also hints in the opening scene that crisis has been brewing in their house without sufficient money and peace and she is getting burnt slowly. Her parental house was just like an Eden compared to her new one. Actually, Jimmy‟s house is unable to provide everything an upper-class daughter could possibly want as he cannot realize that he has a wife and it is his obligation to support her financially as well as mentally.
As in every aspect of life, Jimmy and Alison are different from each other, their huge social gap matters a great deal to Jimmy who sees her family as part of the traditional British ruling class. But Alison hardly loses temper in spite of Jimmy‟s nonstop offensive criticism towards her. Her silence also angers him greatly which is the result of his incessant talking and he is unaware of its cause. Hence, he sarcastically calls her “monument to non-attachment” and tells Cliff: “Nothing I could do would provoke her”(14). Jimmy cannot understand that her silence is unnatural and rather forced by him as she shares a warm bond with Cliff who also belongs to Jimmy‟s class. In her words: “If things have worked out with Cliff, it‟s because he‟s kind and lovable ...” (41)
Actually, the differences between Alison and Jimmy‟s families dramatize a basic conflict in their marital life from the beginning of the play. It is true that he faced strong opposition prior to his marriage from her parents. But it does not mean that he has the right to offend her in front of Cliff, and her friend, Helena Charles. Critic Mander suggests: “Jimmy is presented as a fighter, and one would expect him to relish a fight with someone of his own caliber” (Mander, 5). On the other hand, Alison is cultured, well-bred, and possesses the grace and bearing of a mild woman unworthy of his fighting and he never takes her pleas for a little peace seriously; rather curses her: “ I wish you could have a child, and it would die”(36). It seems her serenity is at the mercy of him. Even Cliff consoles her seeing her dilemma: “He‟s being offensive. And it‟s so easy for him” (7). Whereas Jimmy is unmoved and finds pleasure in torturing her with invectives. So she recalls the strong opposition from her parents as they predicted Jimmy and Alison mismatch as a couple and she regrets her marriage: “If only I knew what was going” (25). Thus, she admits that her marriage has brought never-ending miseries for her.


CHARACTER ANALYSIS OF HELENA CHARLES IN OSBORNE'S LOOK BACK IN ANGER


Physical Description: Helena is of the same age as Alison, of medium height, and carefully dressed. When she is first introduced to us, she is busy with preparing tea for the inmates of the house where she is staying as a guest. She is feeling perfectly at home and is assisting Alison in household work. She has a rather judicial expression of alertness on her face, but when this expression softens, she looks very attractive. She possesses a sense of matriarchal authority and she behaves as if she were a gracious representative of some visiting monarch. Actually, she belongs to the middle class which feels perfectly secure in its basic rights. Most men would be anxious to please and to impress a woman of this kind. Even from other young women, like Alison, she receives her due respect and admiration. Jimmy is, however, absolutely impervious to both her strength and dignity.
Helena’s Prolonged Stay at the Porters’ Flat: Helena had come to stay with the Porter’s only for a week or so, but she has been staying for a much longer time, to the great irritation and annoyance of Jimmy. In fact, Jimmy bluntly asks her why she has been staying on longer than originally proposed, and her reply is that she had been asked by Alison to stay on. This reply makes us a little suspicious about her intention in staying on, especially because she is conscious of Jimmy’s hostility to her.

Her Attitude to Jimmy: just as Jimmy is openly hostile to Helena, she too makes no secret of her dislike for him. When speaking privately to Alison, she is quite blunt in her criticism of Jimmy. On hearing Jimmy playing loudly on his trumpet, Helena says to Alison that it seems that Jimmy wants to kill someone with the noise of his trumpet. This is how she expresses her feelings on this point: “It’s almost as if he wanted to kill someone with it. And me in particular. I’ve never seen such hatred in someone's eyes before. It’s slightly horrifying”. A little later in the play, she describes Jimmy to Alison as a real savage.

Helena’s Influence over Alison: Helena seems to have a great hold upon Alison. Under Helena’s influence, Alison agrees to go to church for prayers, But Helena’s influence upon Alison is much greater than her merely succeeding in taking Alison to church. After observing Jimmy’s habitual ill-treatment of Alison, Helena begins to work upon Alison’s mind and urges her to settle once for all how the relationship between her and Jimmy is to be adjusted. Helena does not mince matters when discussing the situation with Alison. She points out that, now when Alison is going to have a baby, she cannot go on living in this way any longer. “Before, it was different—. But you can’t go on living in this way any longer”, says Helena. She goes on to say that either Jimmy should learn to behave properly and look after his wife or Alison must get out of this “mad-house”, this “menagerie.” According to Helena, Jimmy does not seem to know what love or anything else means. But Helena does not stop here. She further says to Alison: “Listen to me. You’ve got to fight him. Fight, or get out. Otherwise, he will kill you”.

Helena’s Verbal Skirmish with Jimmy: At the tea-table Helena asks Jimmy why he tries hard to be unpleasant and offensive and then says that in her opinion he is a very tiresome young man. Jimmy, of course, knows how to hit back. When Jimmy denounces Alison’s mother, Helena intervenes, saying: “Oh for heaven’s sake, don’t be such a bully! You’ve no right to talk about her mother like that”! When Jimmy still does not stop, Helena says: “I feel rather sick, that’s all. Sick with contempt and loathing”. A little later, Jimmy denounces Helena herself, and this time Helena threatens to slap him, saying: “It’s a pity you’ve been so far away all this time. I’d probably have slapped your face.” When Jimmy threatens to hit her back, Helena says: “You probably would. You’re the type.” When a few moments later Jimmy goes out, Helena expresses her reaction to him in the following words addressed to Alison:” You feel all right, don’t you? What’s he been raving about now? Oh, what does it matter? He makes me want to claw his hair out by the roots. When I think of what you will be going through in a few months’ time—and all for him! She then rebukes Cliff for keeping quiet and not doing anything to curb Jimmy’s habit of speaking offensively and insultingly to everybody.

Helena’s Responsibility for  Alison’s Decision to Leave Jimmy: It is Helena who is directly responsible for Alison’s decision to leave Jimmy. She makes Alison more conscious than she was before. Then, without telling Alison, Helena sends a telegram to Alison’s father to come and take away Alison because Alison is very unhappy. She then reveals to Alison her action in having sent the telegram to Alison’s father and obtains a promise from Alison that she will leave the letter to Jimmy and go away with her father. In all this, Helena is apparently acting as Alison’s well-wisher. We have no reason at this point to suspect Helena’s intentions or motives. We ourselves realize that it is dangerous for Alison to continue to stay with Jimmy in her pregnant condition when Jimmy is all the time scolding her and trying to hurt her. (Jimmy himself at this time is unaware of the fact that Alison is pregnant).

Helena’s Slapping, and then Kissing Jimmy: When Alison is leaving the flat with her father, Helena stays back, although it was understood that she too would go with Alison. Helena explains her action in staying behind by saying that she has an appointment in Birmingham on the following day about a job and that she would be staying here for only one more night. After Alison is gone, Jimmy returns from his visit to London and, on his speaking in his usual offensive way to Helena, she slaps him; but, to our great surprise, the very next moment she kisses him passionately and then draws him down beside her. Helena’s action in thus making love to Jimmy naturally gives rise to the suspicion in our minds that she had fallen in love with Jimmy in the very beginning, and that her having urged Alison to go to her parents’ home was a part of her planning to get an opportunity to acquire Jimmy as a lover for herself. However, this is only a conjecture on our part, because the author himself does not say anything to make the position clear.

As Jimmy’s Mistress:  Helena then lives with Jimmy as his mistress for several months, and she is obviously quite happy with him as is he with her. Helena has been able to adjust herself wonderfully to Jimmy’s habitual manner of talking critically and resentfully about things. Helena has fully replaced Alison and is ironing the clothes as Alison used to do. She is even wearing a shirt of Jimmy’s when ironing the clothes, as Alison had done. However, Helena does not seem to have stopped going to church in order to please Jimmy. For instance, Jimmy refers to Helena‘s busy chatting with the priest on the previous day, and Helena admits the fact. We see her fondling his ear and neck, and when he speaks appreciatively to her, she says: “I love you………Oh, my darling………I’ve always wanted you always!”  It seems that Helena has entered into a steady relationship with Jimmy.

The Awakening of Helena’s Conscience and her Desertion of Jimmy: However, there is another big surprise waiting for us. Just when we had reached the conclusion that Helena and Jimmy had found in each other permanent life-partners (though without getting married), Alison returns unexpectedly. Alison’s return brings about an abrupt and revolutionary change in Helena‘s attitude. In spite of discontent, Helena declares that her having lived with Jimmy as his mistress was all wrong when Alison comes back in her own house. This is what she says to Alison: “Alison—I knew that it was all utterly wrong………..I believe in good and evil, and I don’t have to apologize for that.” In other words, Helena’s conscience has now awakened and she cannot continue living sinfully with Jimmy any longer. In fact, she says that throughout the period of her stay with Jimmy, she had been experiencing a sense of the wrong that she had been committing. She even believes that Alison’s miscarriage was a divine judgment on them all.

Our Final Attitude to Helena: Whatever we may think of Helena in the earlier parts of the play, at the end (in Act III, Scene II) we are filled with admiration for her because she gives evidence of a strong will-power and a strong sense of right and wrong. She voluntarily gives him up because of a compulsive urge to undo the wrong she has been doing. Her action in leaving Jimmy is a true sacrifice which we generally see only on the Indian screen.